Full metadata record
DC FieldValueLanguage
dc.contributor.authorKubovčáková, Zuzana
dc.date.accessioned2013-10-01T08:37:18Z
dc.date.available2013-10-01T08:37:18Z
dc.date.issued2012
dc.identifier.citationActa Fakulty filozofické Západočeské univerzity v Plzni. 2012, č. 1, s. 106-131.cs
dc.identifier.issn1802-0364
dc.identifier.urihttp://ff.zcu.cz/files/Acta-FF/2012/ACTA_FF_2012_1.pdf
dc.identifier.urihttp://hdl.handle.net/11025/6283
dc.description.abstractThe paper deals with the honji suijaku theory of Shintō–Buddhist syncretism illustrated upon the example of a painting of two Shintō deities, Kasuga and Sumiyoshi. The painting was summoned by a monk of the Buddhist Kegon school named Myōe Shōnin, who had had two revelatory encounters with the Kasuga deity. It had been Myōe’s lifelong endeavour to venture to mainland China and thereafter to India in order to visit places where the historical Buddha Shākyamuni had preached his original teachings. However, Myōe had a revelation of the Kasuga deity, in which it had urged him not to undertake the journey. This even was so significant in Myōe’s life that he had had the deity depicted and kept the painting as a keepsake of their memorable meeting, turning the painting into an object of worship, honzon. This paper comes forth with the question of how it was possible for a Buddhist monk to have a Shintō deity painting revered as the main object of worship in a Buddhist temple. By means of tracing the intentions and circumstations behind Myōe’s activities, it considers one particular example of the Shintō–Buddhist syncretism, a characteristic feature of medieval Japanese religion.en
dc.format25 s.cs
dc.format.mimetypeapplication/pdf
dc.language.isosksk
dc.publisherZápadočeská univerzita v Plznics
dc.relation.ispartofseriesActa Fakulty filozofické Západočeské univerzity v Plznics
dc.rights© Západočeská univerzita v Plznics
dc.subjectbudhismuscs
dc.subjectšintócs
dc.subjectsynkretismuscs
dc.subjectJaponskocs
dc.subjectbohovécs
dc.subjectKasugocs
dc.subjectSumijošics
dc.titleIlustrácia šintó-buddhistického synkretizmu na príklade maľby božstiev Kasuga a Sumijošisk
dc.typearticleen
dc.typečlánekcs
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.subject.translatedbuddhismen
dc.subject.translatedshintōen
dc.subject.translatedsyncretismen
dc.subject.translatedJapanen
dc.subject.translatedgodsen
dc.subject.translatedKosugoen
dc.subject.translatedSumijošien
dc.type.statusPeer-revieweden
Appears in Collections:Číslo 1 (2012)
Číslo 1 (2012)

Files in This Item:
File Description SizeFormat 
Kubovcakova.pdfPlný text1,53 MBAdobe PDFView/Open


Please use this identifier to cite or link to this item: http://hdl.handle.net/11025/6283

Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.