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dc.contributor.authorKadlecová, Šárka
dc.date.accessioned2019-04-08T10:00:16Z-
dc.date.available2019-04-08T10:00:16Z-
dc.date.issued2018
dc.identifier.citationKADLECOVÁ, Š. Abandoning the monolithic victim: Changes in representations of the memory of Ravensbrück concentration camp. AntropoWebzin, 2018, roč. 1-2/2018, č. 1-2, s. 37-44. ISSN 1801-8807.en
dc.identifier.issn1801-8807
dc.identifier.urihttp://hdl.handle.net/11025/33859
dc.format7 s.cs
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherZápadočeská univerzita v Plznics
dc.rights© Západočeská univerzita v Plznien
dc.titleAbandoning the monolithic victim: Changes in representations of the memory of Ravensbrück concentration campen
dc.typečlánekcs
dc.typearticleen
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.description.abstract-translatedThe article deals with representations of collective memory of the women’s concen- tration camp Ravensbrück. Memorials estab- lished at the sites of former Nazi concentration camps are referred to as European symbolic realms of memory. Cultural memory is ma- terialized in exhibits and transmitted through expositions. However, since collective mem- ory is closely connected with the constitut- ing and constituted group and reflects its re- quirements, the themes and meanings selected for the audience vary in different political and temporal conditions. Employing the meth- ods of discourse analysis of two exhibitions in the Ravensbrück Memorial, participant and non-participant observation, interviewing, and content analysis of official publications, the changes in approaches to the representation of collective memory are examined. The shift from depicting a monolithic national victim to personalisation and diversity is discussed.en
dc.subject.translatedmemory, collective memory, collective trauma, memorial museum, Ravensbrück memorial, exhibitionen
dc.type.statusPeer-revieweden
dc.identifier.obd43925070
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