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DC poleHodnotaJazyk
dc.contributor.authorPecháček, Stanislav
dc.contributor.editorVičar, Jan
dc.date.accessioned2022-12-06T12:32:08Z
dc.date.available2022-12-06T12:32:08Z
dc.date.issued2022
dc.identifier.citationPaedagogia Musica. 2022, č. 2, s. 73-86.cs
dc.identifier.issn2788-2047
dc.identifier.urihttp://hdl.handle.net/11025/50558
dc.identifier.urihttps://old.fpe.zcu.cz/khk/musica-paedagogia/Archiv/02_2022_Paedagogia-Musica.pdf
dc.format14 s.cs
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherUniversity of West Bohemia in Pilsenen
dc.rights© Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Licenseen
dc.subjectčeská hudbacs
dc.subjectsborové skladbycs
dc.subjectsborycs
dc.subjectPetr Eben (1929–2007)cs
dc.subjectJindřich Feld (1925–2007)cs
dc.subjectJan Hanuš (1915–2004cs
dc.subjectEmil Hradecký (*1951)cs
dc.subjectKarel Husa (1921–2016)cs
dc.subjectCtirad Kohoutek (1929–2011)cs
dc.subjectMarek Kopelent (*1932)cs
dc.subjectJiří Laburda (*1931)cs
dc.subjectZdeněk Lukáš (1928–2007)cs
dc.subjectOtmar Mácha (1922–2006)cs
dc.subjectJan Málek (*1938)cs
dc.subjectBohuslav Martinů (1890–1959)cs
dc.subjectJan Novák (1921–1984)cs
dc.subjectAlois Piňos (1925–2008)cs
dc.subjectMiroslav Raichl (1930–1998)cs
dc.subjectZdeněk Šesták (*1925)cs
dc.subjectAntonín Tučapský (1928–2014)cs
dc.subjectJan Vičar (*1949)cs
dc.titleCzech choral music after the Second World Waren
dc.typečlánekcs
dc.typearticleen
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.description.abstract-translatedThe study overviews the most important choral compositions created in the Czech lands after 1945. In the introduction, it characterizes the most important milestones in the country’s development after the end of the Second World War, especially the impact of the communists and their ideology on art, the influence of avant-garde techniques of the so-called New Music, which came mainly from Germany and Poland, and the ideological relaxation after the fall of the communist dictatorship in 1989. The survey of the choral pieces is divided according to themes into sacred, inspired by folklore, ancient and medieval literature, mainly in Latin. A brief compositional analysis is also given for some of the pieces. The study does not focus on compositions set to the verses of Czech poets nor on the vibrant field of choral pieces for children, which could be the subject of another study.en
dc.subject.translatedCzech musicen
dc.subject.translatedchoral compositionsen
dc.subject.translatedchoirsen
dc.subject.translatedPetr Eben (1929–2007)en
dc.subject.translatedJindřich Feld (1925–2007)en
dc.subject.translatedJan Hanuš (1915–2004en
dc.subject.translatedEmil Hradecký (*1951)en
dc.subject.translatedKarel Husa (1921–2016)en
dc.subject.translatedCtirad Kohoutek (1929–2011)en
dc.subject.translatedMarek Kopelent (*1932)en
dc.subject.translatedJiří Laburda (*1931)en
dc.subject.translatedZdeněk Lukáš (1928–2007)en
dc.subject.translatedOtmar Mácha (1922–2006)en
dc.subject.translatedJan Málek (*1938)en
dc.subject.translatedBohuslav Martinů (1890–1959)en
dc.subject.translatedJan Novák (1921–1984)en
dc.subject.translatedAlois Piňos (1925–2008)en
dc.subject.translatedMiroslav Raichl (1930–1998)en
dc.subject.translatedZdeněk Šesták (*1925)en
dc.subject.translatedAntonín Tučapský (1928–2014)en
dc.subject.translatedJan Vičar (*1949)en
dc.identifier.doihttps://doi.org/10.24132/ZCU.MUSICA.2022.02.73-86
dc.type.statusPeer revieweden
Vyskytuje se v kolekcích:Číslo 2 (2022)
Číslo 2 (2022)

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