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DC poleHodnotaJazyk
dc.contributor.authorWeiskopf, Daniel
dc.contributor.editorSkala, Václav
dc.date.accessioned2015-09-21T11:00:52Z
dc.date.available2015-09-21T11:00:52Z
dc.date.issued2000
dc.identifier.citationJournal of WSCG. 2000, vol. 8, no. 1-3.en
dc.identifier.issn1213-6972 (print)
dc.identifier.issn1213-6980 (CD-ROM)
dc.identifier.issn1213-6964 (online)
dc.identifier.urihttp://hdl.handle.net/11025/15798
dc.identifier.urihttp://wscg.zcu.cz/wscg2000/wscg_2000_program.htm
dc.format8 s.cs
dc.format.mimetypeapplication/pdf
dc.language.isoenen
dc.publisherVáclav Skala - UNION Agencycs
dc.relation.ispartofseriesJournal of WSCGen
dc.rights© Václav Skala - UNION Agencycs
dc.subjectspeciální relativitacs
dc.subjectvizualizacecs
dc.subjectpohlcující virtuální prostředícs
dc.titleAn immersive virtual environment for special relativityen
dc.typečlánekcs
dc.typearticleen
dc.rights.accessopenAccessen
dc.type.versionpublishedVersionen
dc.description.abstract-translatedIn this paper, an immersive virtual environment is presented which allows the user to virtually explore and experience special relativity, including phenomena such as Lorentz contraction, time dilation, aberration, and finite speed of light. The relativistic-vehicle-control metaphor—a physically based camera control technique—is introduced for navigating at high velocities. Acceleration of the relativistic observer is investigated. Furthermore, tracking of both the position and velocity of the user is considered. A geometric approach to relativistic polygon rendering is described. The rendering pipeline is extended to accomplish the relativistic transformations in parallel. The implementation supports multiprocessor and multipipe systems for fast rendering and the same frame rates can be achieved for relativistic visualization as for non-relativistic rendering.en
dc.subject.translatedspecial relativityen
dc.subject.translatedvisualizationen
dc.subject.translatedimmersive virtual environmenten
dc.type.statusPeer-revieweden
Vyskytuje se v kolekcích:Volume 8, number 1-3 (2000)

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